about

Moving between different media in my practice, I often find myself mediating between painting and sculpting. Approaching the creation of new work as a near - ceremonial act, I am exploring the creation of intentional spaces through the works, which invite me to view them as a place of ritual or a tool for witnessing- witnessing creation of works, a certain moment in time, a thought process, a dream.
a ritual is defined as a series of actions in a prescribed order. Therefore, the creation of work can be ritualistic: Sketching ideas on blank pages as divination, making intuitive choices and letting dreams direct shapes and form, making structures with plaster and metal and letting hands and body react and inform choices to reflect on them after creation. I am interested in the knowledge our bodies hold, and in re-learning how to listen to the entities around us that we stopped hearing a long time ago: from mountains, fields, trees, creatures, skies and bodies of water to our own bodies. Growing up close to the black forest, mountains and trees have anchored me – the ancientness of the earth and her monumentally rising hills are a place of worship that I still rely on to centre myself and therefore my practice.
I amexploring echoes of this ceremonial experience through my work, and experiment with what all can be considered a ceremony. I also like to explore familiar indoor environments and listening to my surroundings in a mundane environment. I think there is a lot of value in looking at the things around us and finding meaning in them, finding the sacred around us. Currently I am researching the practice of druids and looking into the contrast between nature based spiritual practices and Christian anthropology. I am therefore exploring questions in relation to this through paintings and installation, for example: what is the extent of our experience, and how are we programmed by our environment to curate the way we experience our encounters with the world?